Custom retreats · Mediterranean
Mediterranean
arches.
Plaster arches, a terracotta floor, and a shower wrapped in hand-glazed zellige tile. A carved stone basin, brushed brass, and afternoon light through a shuttered window make a room that feels sun-warmed even in winter.
Andalusian, Moroccan, and Spanish Colonial Revival houses, in the language of the 1920s
Call about a bathroom like this
The look
Where it comes from,
and why it works.
Mediterranean bathrooms are built from thick walls, rounded openings, and materials that came out of the ground nearby. Plaster, clay, and stone in warm tones make a room that stays cool at noon and glows at dusk, and the arch is the shape that holds it all together.
The style travels from the courtyards of southern Spain and Morocco to the Spanish Colonial Revival houses built across California and the Southwest in the 1920s. Those houses gave American bathrooms the plaster niche, the tiled shower, the terracotta floor, and the wooden shutter, all of which the modern version keeps.
It works because every surface is handmade and imperfect in the same way. Trowelled plaster, hand-glazed zellige, and unglazed terracotta each vary from inch to inch, so the room reads as soft and lived-in rather than fitted. Brass, aged or brushed, is the only thing that catches the light, and it does so gently.
Palette
The colors
doing the work.
Five tones carry the room. Everything else is texture.
- Warm plaster#e3d5c2
- Terracotta#b8694a
- Sea-green zellige#6f9a8a
- Carved stone#c9bda8
- Aged brass#a07d4c
Materials
What it’s
made of.

Surfaces
Limewash and plaster
Depth without pattern. Walls look lit from within and absorb glare.

Tile
Terracotta tile
Earthy and soft; each tile a slightly different shade. The Mediterranean floor.

Tile
Zellige tile
Catches light differently on every tile, so a wall reads as one shimmering color with depth. Handmade edges mean irregular grout lines, which is the point.

Metal finishes
Brushed brass
Warm gold without shine. Pairs with cream, oak, green, and stone.

Natural stone
Travertine
Layered cream and beige tones with a matte, mineral surface. Feels ancient and calm underfoot.

Textiles
Linen and natural textiles
The soft layer that keeps stone and tile from feeling cold.
Fixtures & finishes
The pieces
you’ll touch every day.
- Carved stone basin
- A single travertine or limestone bowl on a plastered vanity block; heavy, so the base is built to carry it.
- Wall-mounted brass spout and cross handles
- Brushed or unlacquered; either will settle into the plaster without a bright edge.
- Arched shower opening
- A plaster arch with no door, or a single fixed glass panel set back inside the arch so it disappears.
- Zellige shower walls with a brass rain head
- Tile runs floor to ceiling inside the arch; the head comes from the ceiling and the controls sit on the side wall.
- Plaster niche with a shelf
- Arched to match the shower, lit from above, for a bowl and a candle rather than bottles.
- Wooden shutters
- Interior louvered shutters in a dark oiled wood, so the light comes in as stripes and the window becomes part of the wall.
Layout
How the room
is arranged.
The shower sits behind its arch at the end of the room so the tile is framed like a painting from the doorway. The vanity block is built against the window wall where the shutters throw light across the basin, and the toilet goes behind a second, smaller arch or a thick plaster half-wall. The terracotta runs everywhere but the shower floor, which takes the same zellige or a small stone mosaic.
Light
Daylight
and evening.
The shuttered window is the design: adjustable louvers let you choose between a bright room and a striped, sheltered one. At night a warm light inside the niche, a brass sconce on each side of the mirror, and a small downlight in the shower are all the room needs. Keep everything warm and dimmable; this is a candlelight style.
Is it for you
Best for.
A primary bath in a Spanish, Mission, or Mediterranean-style house, a home in a warm climate, or any bathroom whose owners want warmth and texture without pattern. Best where the room has a bit of ceiling height for the arches to breathe.
What it takes
A custom retreat. Plaster arches are built from framing or masonry, which means the walls come out; the shower usually moves to the end wall with a new drain and a curbless slope, and the stone basin needs a reinforced base. Zellige runs full height inside the shower only; the plaster is a waterproof mineral finish in the wet areas and a limewash elsewhere, and the terracotta covers the whole dry floor.
Talk through your version of it- 01
Order zellige from one batch and lay it out on the floor before it goes up; the glaze variation is the beauty, and blending boxes evens it.
- 02
Seal the terracotta before grouting and again after, or the grout haze will stay in the clay forever.
- 03
Keep the arch proportions consistent: the shower arch, the niche, and any doorway should share the same radius.
- 04
Ask for a waterproof plaster with a slight sheen inside the shower and a flat limewash outside; the difference is invisible and the wet wall will last.
- 05
Let the basin sit on a plastered block rather than a wooden cabinet. Stone on plaster is the whole idea; stone on oak is a different room.
Questions about this look
Good questions.
Honest answers.
Is terracotta too soft for a bathroom floor?
It is porous rather than soft. Sealed properly it handles a bathroom well and develops a patina, and it is warm underfoot in a way porcelain is not. Keep it out of the shower itself and put a mat where the tub or basin drips.
Do plaster arches need special construction?
They need a builder comfortable with curves. The arch is framed in wood or block, lathed, and plastered in several coats, so the corners are thick and the surface is soft. It is the part of the room that cannot be approximated with a stock product.
Will zellige leak in a shower?
Not if the waterproofing behind it is done right. The tile is glazed and the joints are grouted; what matters is the membrane underneath. Expect uneven grout lines and small chips at the edges, which are what make it zellige rather than ceramic.
Your next chapter starts here
Let’s talk about a mediterranean bathroom.
Bring this page.
A consultation starts with what you’re drawn to. This style, your room, your priorities; we’ll take it from there.
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