A moody, spa-like primary bath built around a carved stone tub under a skylight. Charcoal limestone, a walnut slatted ceiling, and a softly lit arched niche make the room feel like a quiet destination.
Stone soaking tub · Charcoal limestone · Walnut ceiling · Aged brass fixtures · Lit arched niche
A classic hall bath brought up to date without moving a thing. White shaker vanity, glossy subway tile, a black-and-white hex floor, and brushed nickel that will still look right in twenty years.
A full remodel with a floating walnut vanity, globe pendants, and a terrazzo floor that carries straight into a black-framed shower. Warm wood and matte black keep it grounded and modern.
A bright retreat wrapped in bookmatched Calacatta marble, with a fluted oak double vanity, a sculptural tub in front of a garden window, and a glass steam shower. Airy, generous, and calm.
Bookmatched marble · Fluted oak vanity · Freestanding tub · Steam shower · Polished nickel
A small guest bath transformed by a single accent wall of clay zellige tile. A white floating vanity, an oak-framed round mirror, and a compact glass shower do the rest. Big character, modest scope.
Clay zellige accent wall · Floating white vanity · Oak round mirror · Corner glass shower · Brushed nickel
A tub-to-shower conversion in a calm Scandinavian palette: wall-hung oak vanity, large-format white tile, pale micro-cement floor, and a single glass panel. Simple materials, done beautifully.
Tub-to-shower conversion · Wall-hung oak vanity · Large-format white tile · Linear drain · Matte black fixtures
A deep soaking tub, pale oak, and soft mineral walls in a room built for slowing down. Micro-cement floor, a slatted oak screen, a wooden stool, and daylight filtered through paper: warm, spare, and very quiet.
Deep soaking tub · Pale oak vanity · Limewash walls · Micro-cement floor · Wooden stool
Painted beadboard to chair height, a white oak vanity, and matte black fixtures under a black-framed window. A freestanding tub, a walk-in shower, and a grey hex floor make it a room that works hard and still feels warm.
Painted beadboard wainscot · White oak vanity · Matte black fixtures · Freestanding tub · Black-framed window
White walls and a driftwood-toned vanity with one band of sea-glass green tile to carry the color. A rattan mirror, brushed nickel, and a bare sunny window keep it airy; the layout stays exactly as it was.
Sea-glass green tile band · Driftwood oak vanity · Rattan mirror · Brushed nickel · Existing layout kept
Black and white marble, a fan-patterned floor, fluted glass, and polished chrome around a backlit arched mirror. The glamour of a 1930s hotel bathroom, held to a few strong moves so it reads as elegant rather than costumed.
Painted beadboard in soft sage, a small botanical paper above it, and a white roll-top tub on claw feet with unlacquered brass taps. A checkerboard floor and a painted washstand finish a room that feels like it has always been there.
Plaster arches, a terracotta floor, and a shower wrapped in hand-glazed zellige tile. A carved stone basin, brushed brass, and afternoon light through a shuttered window make a room that feels sun-warmed even in winter.
Concrete-look porcelain, a black steel-framed shower screen, and white stacked tile give this room its loft bones, and a warm walnut vanity keeps it from feeling hard. Clean lines, nothing exposed, nothing fussy.
Concrete-look porcelain · Steel-framed shower screen · Walnut floating vanity · White stacked tile · Matte black fixtures
Sand-colored plaster, a terracotta floor, and a walnut vanity under a clerestory of strong desert light. The shower is warm large-format porcelain, the metal is aged brass, and the room stays quiet enough that the light is the decoration.
Warm grey tadelakt-style plaster runs floor to ceiling and straight into the shower, so the room reads as one carved surface. A stone basin, a wooden stool, and a linen towel are the only objects, and their imperfections are the point.
A black-and-white checkerboard floor, a pedestal sink, and white subway tile with dark grout, all in polished chrome. Period-correct for a house built between the 1920s and 40s, and easy to live with because none of it was ever a trend.
Checkerboard floor · Pedestal sink · White subway with dark grout · Penny-tile shower floor · Polished chrome
A half bath painted a deep green, with a small marble-topped walnut vanity, a brass-framed mirror, and one lamp-like sconce. It is the room nobody showers in, so it is the room where you can be brave.
Deep green walls · Marble-topped vanity · Statement mirror · Lamp-like brass sconce · Hexagon mosaic floor
A double vanity with a quartz top, porcelain on every wet surface, a tub-shower combination behind a fixed glass screen, and brushed nickel that never shows a fingerprint. Drawers instead of doors, hooks at kid height, and nothing that needs babying.
A curbless shower with a linear drain, a built-in bench, and brushed brass rails that read as towel bars rather than equipment. A wall-hung oak vanity with knee space and warm porcelain floors make it a room anyone can use and nobody would call clinical.
Curbless shower · Built-in bench · Brass grab rails · Handheld shower · Wall-hung vanity with knee space